Callimachus in Context

From Plato to the Augustan Poets

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Callimachus in Context by Benjamin Acosta-Hughes, Susan A. Stephens, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Benjamin Acosta-Hughes, Susan A. Stephens ISBN: 9781139152938
Publisher: Cambridge University Press Publication: January 26, 2012
Imprint: Cambridge University Press Language: English
Author: Benjamin Acosta-Hughes, Susan A. Stephens
ISBN: 9781139152938
Publisher: Cambridge University Press
Publication: January 26, 2012
Imprint: Cambridge University Press
Language: English

Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study aims to situate these Callimachuses within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study aims to situate these Callimachuses within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets.

More books from Cambridge University Press

Cover of the book Music and Social Movements by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Solar System Dynamics by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book A Primer on the Dirichlet Space by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Legal Principles in WTO Disputes by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book The Sources of Social Power: Volume 3, Global Empires and Revolution, 1890–1945 by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Fichte: Addresses to the German Nation by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Just War Theory and Civilian Casualties by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Gravity from the Ground Up by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Matroids: A Geometric Introduction by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book The Cambridge Companion to Emily Dickinson by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Successful Science Communication by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book The Cambridge Companion to Pragmatism by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Indigenous Rights in the Age of the UN Declaration by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Dementia by Benjamin Acosta-Hughes, Susan A. Stephens
Cover of the book Migration and Human Rights by Benjamin Acosta-Hughes, Susan A. Stephens
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy