Building a Nation

Chickasaw Museums and the Construction of History and Heritage

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Native American Studies, Anthropology
Cover of the book Building a Nation by Joshua M. Gorman, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joshua M. Gorman ISBN: 9780817385620
Publisher: University of Alabama Press Publication: October 11, 2011
Imprint: University Alabama Press Language: English
Author: Joshua M. Gorman
ISBN: 9780817385620
Publisher: University of Alabama Press
Publication: October 11, 2011
Imprint: University Alabama Press
Language: English

Normal0falsefalsefalseMicrosoftInternetExplorer4

The Chickasaw Nation, an American Indian nation headquartered in southeastern Oklahoma, entered into a period of substantial growth in the late 1980s. Following its successful reorganization and expansion, which was enabled by federal policies for tribal self-determination, the Nation pursued gaming and other industries to affect economic growth. From 1987 to 2009 the Nation’s budget increased exponentially as tribal investments produced increasingly large revenues for a growing Chickasaw population. Coincident to this growth, the Chickasaw Nation began acquiring and creating museums and heritage properties to interpret their own history, heritage, and culture through diverse exhibitionary representations. By 2009, the Chickasaw Nation directed representation of itself at five museum and heritage properties throughout its historic boundaries.

Josh Gorman examines the history of these sites and argues that the Chickasaw Nation is using museums and heritage sites as places to define itself as a coherent and legitimate contemporary Indian nation. In doing so, they are necessarily engaging with the shifting historiographical paradigms as well as changing articulations of how museums function and what they represent. The roles of the Chickasaw Nation’s museums and heritage sites in defining and creating discursive representations of sovereignty are examined within their historicized local contexts. The work describes the museum exhibitions’ dialogue with the historiography of the Chickasaw Nation, the literature of new museum studies, and the indigenous exhibitionary grammars emerging from indigenous museums throughout the United States and the world. 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Normal0falsefalsefalseMicrosoftInternetExplorer4

The Chickasaw Nation, an American Indian nation headquartered in southeastern Oklahoma, entered into a period of substantial growth in the late 1980s. Following its successful reorganization and expansion, which was enabled by federal policies for tribal self-determination, the Nation pursued gaming and other industries to affect economic growth. From 1987 to 2009 the Nation’s budget increased exponentially as tribal investments produced increasingly large revenues for a growing Chickasaw population. Coincident to this growth, the Chickasaw Nation began acquiring and creating museums and heritage properties to interpret their own history, heritage, and culture through diverse exhibitionary representations. By 2009, the Chickasaw Nation directed representation of itself at five museum and heritage properties throughout its historic boundaries.

Josh Gorman examines the history of these sites and argues that the Chickasaw Nation is using museums and heritage sites as places to define itself as a coherent and legitimate contemporary Indian nation. In doing so, they are necessarily engaging with the shifting historiographical paradigms as well as changing articulations of how museums function and what they represent. The roles of the Chickasaw Nation’s museums and heritage sites in defining and creating discursive representations of sovereignty are examined within their historicized local contexts. The work describes the museum exhibitions’ dialogue with the historiography of the Chickasaw Nation, the literature of new museum studies, and the indigenous exhibitionary grammars emerging from indigenous museums throughout the United States and the world. 

More books from University of Alabama Press

Cover of the book Myths and Realities of Caribbean History by Joshua M. Gorman
Cover of the book The Paleoindian and Early Archaic Southeast by Joshua M. Gorman
Cover of the book The Punitive Imagination by Joshua M. Gorman
Cover of the book Truman Capote and the Legacy of "In Cold Blood" by Joshua M. Gorman
Cover of the book The Victory Album by Joshua M. Gorman
Cover of the book In the Middle of Nowhere by Joshua M. Gorman
Cover of the book The Naval Air War in Korea by Joshua M. Gorman
Cover of the book Showing Teeth to the Dragons by Joshua M. Gorman
Cover of the book Tail of the Storm by Joshua M. Gorman
Cover of the book Signs of Power by Joshua M. Gorman
Cover of the book Willa Cather and Material Culture by Joshua M. Gorman
Cover of the book A New Vision for Missions by Joshua M. Gorman
Cover of the book The Blue Guide to Indiana by Joshua M. Gorman
Cover of the book Curators and Culture by Joshua M. Gorman
Cover of the book It Was Like My Trying to Have a Tender-Hearted Nature by Joshua M. Gorman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy