Brazilian Collaborative Theater

Interviews with Directors, Performers and Choreographers

Nonfiction, Entertainment, Theatre, Direction & Production, Performing Arts
Cover of the book Brazilian Collaborative Theater by Aleksandar Dundjerović, Luiz Fernando Ramos, McFarland & Company, Inc., Publishers
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Author: Aleksandar Dundjerović, Luiz Fernando Ramos ISBN: 9781476630175
Publisher: McFarland & Company, Inc., Publishers Publication: October 13, 2017
Imprint: Language: English
Author: Aleksandar Dundjerović, Luiz Fernando Ramos
ISBN: 9781476630175
Publisher: McFarland & Company, Inc., Publishers
Publication: October 13, 2017
Imprint:
Language: English

Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country’s most prolific creative minds—Zé Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nós do Morro, Rudolfo Vásquez (Os Satyros), Antônio Araujo (Teatro Vertigem), Enrique Díaz (Cia do Atores) and Lia Rodrigues, to name a few—discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.

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Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country’s most prolific creative minds—Zé Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nós do Morro, Rudolfo Vásquez (Os Satyros), Antônio Araujo (Teatro Vertigem), Enrique Díaz (Cia do Atores) and Lia Rodrigues, to name a few—discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.

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