Palgrave Macmillan Us: 3342 books

In recent years, India has emerged as a major economic and political power. Yet, the country's cultural influence outside India has not been adequately analyzed in academic discourses. This book, a pioneering attempt, from an international communication/media perspective, is aimed to fill the existing gap in scholarship in this area.

Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene’s...

Feminist Theory in Pursuit of the Public argues that feminism needs to develop a theory of the public. It responds to a moment when feminism's impetus to reconstitute the private sphere left a huge gap in its political thinking on the public. This inattention to the public is particularly worrisome...

A fresh look at one of the most important landmarks in the passage of the Ottoman Middle East to modernity during the late nineteenth century, this book explores the Nizamiye court system. The author offers an innovative conceptualization to serve as an alternative to common - yet poorly grounded...

Examining a wide range of source material including popular culture, literature, photography, television, and visual art, this collection of essays sheds light on the misrepresentations of Latina/os in the mass media.

In an original and provocative series of readings that range across Melville's career, the contributors consider not only the sources and implications of Melville's aesthetics, but the relationship between aesthetic criticism, historical analysis, and contemporary theory.

The modern world began with the clash of civilisations between Spaniards and native Americans. Their interplay and struggles ever since are mirrored in the fates of the very languages they spoke. The conquistadors wrought theirs into a new 'world language'; yet the Andes still host the New World's...

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded...

This collection, with contributions on seventeen countries from social scientists from Africa, the Americas, Asia-Pacific, and Europe, analyzes the characteristics and potential of diverse educational, political and related initiatives towards progressive changes in gender relations to show how men are reacting to contemporary social change

East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars with the historical background to understand East German cinema and guides the readers through the DEFA archive via examinations of twelve films.

Using a cognitive approach to literature, this book uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world.

Using insights from psychology, sociology, anthropology, and the history of sexuality, Holmberg explores the ambiguity that drives male bonding. Personal interviews with Mamet and with the actors who have interpreted his major roles shed light on how and why men bond with each other and complement close analysis of Mamet's texts.

The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of...

A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.