Methuen Drama imprint: 1030 books

When Gaby disappears from her Scottish home, it is assumed that her Pakistani father, Farhan, has kidnapped her. The spiralling headlines are only momentarily silenced when it emerges that Gaby may have fled of her own accord, choosing to spend her life in Pakistan. To the distress of her Scottish...

Space: it's everywhere, all around, a given. It's abstract and yet not abstract at all, because it governs all human relations, shapes the way we understand our place on the planet, and orients us toward others (for better and for worse). How do theatre scholars understand space and place in performance?...

One of Wilde's most successful and most frequently revived plays, An Ideal Husband has divided critics more than any other. Treating political intrigue, financial fraud, blackmail, scandal and spin, and the role of women in public life, it is a play which engaged with issues of vital importance to its late-Victorian audience, which continue to resonate today.

'My own business always bores me to death; I prefer other people's' Lady Windermere has a happy marriage - or, at least, that's what she believes until one of London society's gossips, the Duchess of Berwick, arrives with her daughter to voice her suspicions about an affair Lord Windermere...

What makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating...

Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new...

Etonians aren't exactly noted for their grey matter, but I've always found them perfectly adjusted to society. Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited...

You have to be tough to be kind. That's what I've learned from you, Granddad. Tough and fearless and strong. So that's what I'm going to be. Naples, 1606. Inside an unfinished church, a painting is emerging from the darkness. The Seven Acts of Mercy is Caravaggio's masterpiece - and his first...

Apparently, back in the day us McClouds used to be the Thanes of Queensferry, before all that shit got stamped out by the English . . . We've got Royal Blood in us he says, and he says when we eventually realise we should've voted Yes not No Dad's gonna rise up to be Thane of Queensferry once more. Pop...

She came to us one dawn. The girl. Far out One dawn alone beneath the wine dark sea. One day it starts to rain and no-one knows why. And it doesn't stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on...

In Place of a Show is a compelling account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished. Playfully combining first-person narratives, scholarly research and visual documents, Augusto Corrieri explores...

Published to tie in with performances by Claire Dowie at the Drill Hall, London Two new plays by Claire Dowie which focus on sex and repression and friendship among gay and lesbian characters.

I don't understand it. I've still got muscles, tendons, sinews, whatnots – nothing's changed skeleton wise, body wise. It's still all intact. Yet it doesn't work. It won't move itself. Leaping barriers of age, sexuality and gender, Gloria prepares to dance the Can Can one last time. Written...

I SEE YOU (English) NGIYAKUBONA (Zulu) EK SIEN JOU (Afrikaans) NDIYAKUBONA (Xhosa) I don't need your sorries white boy, yes. You heard right. You know white people think we are the same? We both look black. But only one of us is black . . . Speak to me in your mother-tongue and I will let you go. Post-Apartheid...