Steven Rybin: 5 books

Book cover of Terrence Malick and the Thought of Film
by Steven Rybin
Language: English
Release Date: November 17, 2011

As the director of Badlands, Days of Heaven, The Thin Red Line, and The New World, Terrence Malick has created a remarkable body of work that enables imaginative acts of philosophical interpretation. Steven Rybin's Terrence Malick and the Thought of Film looks closely at the dialogue between Malick's...
Book cover of Michael Mann

Michael Mann

Crime Auteur

by Steven Rybin
Language: English
Release Date: April 4, 2013

Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs...
Book cover of The Cinema of Michael Mann
by Steven Rybin
Language: English
Release Date: August 29, 2007

Few other contemporary Hollywood filmmakers fit the category of 'genre stylist' as well as Michael Mann, the director of such films as Heat, The Insider, Ali, Collateral, Manhunter, Thief, and Miami Vice. Mann's film style marks him as a director who chooses the iconographic backdrop of a genre as...
Book cover of The Philosophy of Michael Mann
by Robert Arnett, R. Barton Palmer, Steven Sanders
Language: English
Release Date: March 24, 2014

Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense...
Book cover of Thinking in the Dark

Thinking in the Dark

Cinema, Theory, Practice

by R. Barton Palmer, Murray Pomerance, Jeremy Blatter
Language: English
Release Date: October 16, 2015

Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating,...
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