Simon Shepherd: 5 books

Book cover of Theatre, Body and Pleasure
by Simon Shepherd
Language: English
Release Date: October 11, 2013

Breaking new ground in the study of performance theory, this maverick and powerful project from renowned Renaissance scholar and queer theorist Simon Shepherd presents a unique take on theory and the physical reality of theatre. Examining a range of material, Theatre, Body, Pleasure addresses...
Book cover of The Cambridge Introduction to Performance Theory
by Simon Shepherd
Language: English
Release Date: March 15, 2016

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices...
Book cover of Drama/Theatre/Performance
by Simon Shepherd, Mick Wallis
Language: English
Release Date: September 16, 2004

What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different...
Book cover of Studying Plays
by Dr Mick Wallis, Simon Shepherd
Language: English
Release Date: January 25, 2018

Now in its 4th edition, this is an accessible and comprehensive introduction to the critical study of drama. Using familiar examples of classic and contemporary works such as Shakespeare's King Lear, Ibsen's A Doll's House and Timberlake Wertenbaker's Our Country's Good, the book explores the essential...
Book cover of Direction

Direction

Readings in Theatre Practice

by Simon Shepherd
Language: English
Release Date: December 17, 2012

Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.
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