Gary Rhodes: 7 books

CCL fellows McGuire and Rhodes replace the common and popular myth that change in organizational culture is beyond the reach of mere mortals. They offer a practical guide for achieving feasible culture transformation by helping leaders see how leading the culture and managing the operations are two...

The latest in a series of books by researchers extraordinaire Gary D. Rhodes and Bill Kaffenberger, *Bela Lugosi in Person *brims with new facts,figures, and never-seen photos documenting the actor’s scores of live public performances from 1931 to 1945, the era of his greatest fame.  Three-act...

Cross and wooden stake in hand, Dr. Gary D. Rhodes re-enters the sepulcher of supernatural cinema, casting his lantern's light on Universal’s 1936 classic Dracula’s Daughter. With fellow tomb raiders Tom Weaver and Michael Lee, he discovers long-forgotten lore, presented herein with the film’s...

Joseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In The Films of Joseph H. Lewis, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full...

He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped...

Many Christians want to witness for their faith, but they are afraid they will not be able to answer questions that others may ask of them. First Peter 3:15 reminds believers to always be prepared to "make a defense to anyone who asks you for a reason for the hope that is in you." Norman Geisler and...

The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This collection revises, reframes, and deconstructs persistent critical binaries that have been put in place by scholarly discourse to label 1940s horror as somehow inferior to a “classical” period...