Aesthetics category: 1179 books

“I am no specialist in the study of Lucretius; I am not a Dante scholar nor a Goethe scholar….My excuse for writing about them, notwithstanding, is merely the human excuse which every new poet has for writing about the spring. They have attracted me; they have moved me to reflection; they have revealed...

The essays that compose this book turn around aesthetic and ethical questions, intertwining the two dimensions. They are intended to elaborate an interculturalphilosophy: without idealizing any single way of thinking or any tradition, without idolizing any lazy relativism, the author wants to show...

Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Using the sources of musical history and philosophy, Erik Wallrup explores this extremely vague and elusive phenomenon, which...

Aesthetic experience has had a long and contentious history in the Western intellectual tradition. Following Kant and Hegel, a human’s interaction with nature or art frequently has been conceptualized as separate from issues of practical activity or moral value. This book examines how art can be...

Søren Kierkegaard (1813-1855) remains one of the most enigmatic, captivating, and elusive thinkers in the history of European thought. The Kierkegaardian Mind provides a comprehensive survey of his work, not only placing it in its historical context but also exploring its contemporary significance....

The concept of democratic freedom refers to more than the kind of freedom embodied by political institutions and procedures. Democratic freedom can only be properly understood if it is grasped as the expression of a culture of freedom that encompasses an entire form of life. Juliane Rebentisch’s...

Kant’s The Critique of Judgment laid the groundwork of modern aesthetics when it appeared in 1790. Eli Friedlander’s reappraisal emphasizes the internal connection of judgment and meaning, showing how the pleasure in judging is intimately related to our capacity to draw meaning from our encounter with beauty.

Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The...

In this third edition of The Triadic Structure of the Mind, Francesco Belfiore begins from the basic ontological conception of the structure and functioning of the “mind” or “spirit” as an evolving, conscious triad composed of intellect, sensitiveness, and power, each exerting a selfish and...

How can we understand another person's feelings, thoughts, words or behaviour? Through empathy, it is hoped, we might use our imaginations to shift our perspective into another person's, thereby grasping their thoughts and emotions. In this insightful new book, Derek Matravers negotiates the...

This 1790 polemic by one of philosophy's most important and influential figures attempts to establish the principles that support the faculty of judgment. Kant's third critique — after Critique of Practical Reason and Critique of Pure Reason — remains one of the most important works on human reason....

"That a symbolic object or work of art participates in what it signifies, as a part within a whole, was a controversial claim discussed with particular intensity in the wake of Immanuel Kant's Critique of Judgment. It informed the aesthetic theories of a constellation of writers in Jena and Weimar...

This carefully crafted ebook: “The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)” is formatted for your eReader with a functional and detailed table of contents. The Critique of Judgment, also translated as the Critique of the Power of Judgment...

'A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful' is a 1757 treatise on aesthetics written by Edmund Burke. In short, the Beautiful, according to Burke, is what is well-formed and aesthetically pleasing, whereas the Sublime is what has the power to compel and destroy...