Drama History category: 1664 books

A key way to view Latina plays today is through the foundational frame of playwright and teacher Maria Irene Fornes, who has trained a generation of theatre artists and transformed the field of American theatre. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is...

Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry...

In October 2016 a story was reported in most popular newspapers that using old-fashioned scholarship and 21st-century computerised tools to analyse texts a team of international scholars have established that Shakespeare’s collaboration with other playwrights was far more extensive than has been...

Using examples from plays and playwrights the reader has most likely encountered, The Well Read Play is structured to teach the reader how to identify context, structure, significance, and character. Its principle aim is to help the reader develop abilities to understand and enjoy reading plays.

John Millington Synge, controversial in his own time and long established as a major figure of world theatre, has nonetheless suffered relative critical neglect. Where his great contemporaries Yeats and Joyce and his outstanding successor Beckett have attracted whole industries of scholarly attention,...

Sir James Matthew Barrie, 1st Baronet, OM (9 May 1860 – 19 June 1937) was a Scottish author and dramatist, the child of a family of small-town weavers, and best remembered today as the creator of Peter Pan. He was educated in Scotland but moved to London, where he developed a career as a novelist...

CliffsNotes on Bertolt Brecht's plays Mother Courage and The Caucasian Chalk Circle.

Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character...

This Guide offers a comprehensive survey of the key criticism on Shakespeare's tragedies, from the seventeenth century through to the present day. Introducing essential concepts, themes and debates, and summarising major critical texts, Nicolas Tredell examines how the category of Shakespeare's tragedies has been constructed, contested and changed.

" Dream is a central image for Shakespeare, encompassing at once the terrors of the irrational and the creative powers of the imagination-one's deepest fears and highest aspirations. Used in the early plays as a verbal or structural device, dream becomes, in the tragedies and late romances, a transforming...

In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how...

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

FEATURES:      •     Includes beautiful artworks and illustrations      •     Active Table of Contents for an easy navigation within the book      •     Manually coded...

The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on The Crucible takes...