Bertrand Tavernier

Interviews

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Bertrand Tavernier by , University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781496807694
Publisher: University Press of Mississippi Publication: September 23, 2016
Imprint: University Press of Mississippi Language: English
Author:
ISBN: 9781496807694
Publisher: University Press of Mississippi
Publication: September 23, 2016
Imprint: University Press of Mississippi
Language: English

Bertrand Tavernier (b. 1941) is widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s, in the wake of the New Wave. In just over forty years, he has directed twenty-two feature films in an eclectic range of genres, from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature--L'Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc prize--Tavernier has shown himself to be a public intellectual. Like his films, he is deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art. A voracious cinephile, he is immensely knowledgeable about world cinema and American film in particular. Tavernier's roots are in Lyon, the birthplace of the cinema. He founded and presides over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films.

In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to "show the world to the world."

It is no surprise, then, that an interview with Tavernier is a treat. Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics. At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Bertrand Tavernier (b. 1941) is widely considered to be the leading light in a generation of French filmmakers who launched their careers in the 1970s, in the wake of the New Wave. In just over forty years, he has directed twenty-two feature films in an eclectic range of genres, from intimate family portrait to historical drama and neo-Western. Beginning with his debut feature--L'Horloger de Saint-Paul (1974), which won the prestigious Louis Delluc prize--Tavernier has shown himself to be a public intellectual. Like his films, he is deeply engaged with the pressing issues facing France and the world: the consequences of war, colonialism and its continuing aftermath, the price of heroism, and the power of art. A voracious cinephile, he is immensely knowledgeable about world cinema and American film in particular. Tavernier's roots are in Lyon, the birthplace of the cinema. He founded and presides over the Institut Lumière, which hosts retrospectives and an annual film festival in the factory where the Lumière brothers made the first films.

In this collection, containing numerous interviews translated from French and available in English for the first time, he discusses the arc of his career following in the lineage of the Lumière brothers, in that his goal, like theirs, is to "show the world to the world."

It is no surprise, then, that an interview with Tavernier is a treat. Beginning with discussions of his own films, the interviews in this volume cover a vast range of topics. At the core are his thoughts about the ways cinema can inspire the imagination and contribute to the broadest possible public conversation.

More books from University Press of Mississippi

Cover of the book Beyond The Chinese Connection by
Cover of the book Global Neorealism by
Cover of the book Mississippi Politics by
Cover of the book Film and Comic Books by
Cover of the book Maroon and White by
Cover of the book Ainâ??t That a Knee-Slapper by
Cover of the book Acting My Face by
Cover of the book Sombreros and Motorcycles in a Newer South by
Cover of the book The Grenada Revolution by
Cover of the book Black Boys Burning by
Cover of the book The Joker by
Cover of the book Carter G. Woodson by
Cover of the book Outsider Art by
Cover of the book We Shall Not Be Moved by
Cover of the book Working-Class Comic Book Heroes by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy