Bassoon Reed Making

A Pedagogic History

Nonfiction, Entertainment, Music, Instruments & Instruction, Woodwinds, Techniques, General Instruments
Cover of the book Bassoon Reed Making by Christin Schillinger, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christin Schillinger ISBN: 9780253018236
Publisher: Indiana University Press Publication: December 14, 2015
Imprint: Indiana University Press Language: English
Author: Christin Schillinger
ISBN: 9780253018236
Publisher: Indiana University Press
Publication: December 14, 2015
Imprint: Indiana University Press
Language: English

Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn’s Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Withheld by leading pedagogues in an effort to control competition, the art of reed making in the early 20th century has been shrouded in secrecy, producing a generation of performers without reed making fluency. While tenets of past decades remain in modern pedagogy, Christin Schillinger details the historical pedagogical trends of bassoon reed making to examine the impact different methods have had on the practice of reed making and performance today. Schillinger traces the pedagogy of reed making from the earliest known publication addressing bassoon pedagogy in 1687 through the publication of Julius Weissenborn’s Praktische Fagott-Schule and concludes with an in-depth look at contemporary methodologies developed by Louis Skinner, Don Christlieb, Norman Herzberg, and Lewis Hugh Cooper. Aimed at practitioners and pedagogues of the bassoon, this book provides a deeper understanding of the history and technique surrounding reed-making craft and instruction.

More books from Indiana University Press

Cover of the book Judaism, Liberalism, and Political Theology by Christin Schillinger
Cover of the book Brahms’s Vocal Duets and Quartets with Piano by Christin Schillinger
Cover of the book Rachmaninoff's Complete Songs by Christin Schillinger
Cover of the book Early Cinema in Asia by Christin Schillinger
Cover of the book The Paradoxical Rationality of Søren Kierkegaard by Christin Schillinger
Cover of the book Islamic Education in Africa by Christin Schillinger
Cover of the book The Battle for North Africa by Christin Schillinger
Cover of the book Harvest of Skulls by Christin Schillinger
Cover of the book Petersburg by Christin Schillinger
Cover of the book Rebellious Parents by Christin Schillinger
Cover of the book Making Music in the Polish Tatras by Christin Schillinger
Cover of the book Oceans of Kansas, Second Edition by Christin Schillinger
Cover of the book Riding the Rails by Christin Schillinger
Cover of the book The Palestinian National Movement by Christin Schillinger
Cover of the book Reasoning from Faith by Christin Schillinger
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy