Aspects of the Novel

Fiction & Literature, Literary Theory & Criticism, Books & Reading
Cover of the book Aspects of the Novel by E. M. Forster, RosettaBooks
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: E. M. Forster ISBN: 9780795311567
Publisher: RosettaBooks Publication: July 1, 2010
Imprint: RosettaBooks Language: English
Author: E. M. Forster
ISBN: 9780795311567
Publisher: RosettaBooks
Publication: July 1, 2010
Imprint: RosettaBooks
Language: English

The renowned British novelist’s “casual and wittily acute guidance” on reading—and writing—great fiction (Harper’s Magazine).
 
Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain’s—and the world’s—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels—with specific examples from such masters as Dickens and Austen—discussing the elements they all have in common.
 
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between “flat” and “round” characters and between plot and story; and ultimately provides an “admirable and delightful” education for anyone who appreciates the art of a good book (The New York Times).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The renowned British novelist’s “casual and wittily acute guidance” on reading—and writing—great fiction (Harper’s Magazine).
 
Renowned for such classics as A Room with a View, Howards End, and A Passage to India, E. M. Forster was one of Britain’s—and the world’s—most distinguished fiction writers, a frequent nominee for the Nobel Prize in Literature. In this collection of lectures delivered at Trinity College, Cambridge, in 1927, he takes a wide-ranging look at English-language novels—with specific examples from such masters as Dickens and Austen—discussing the elements they all have in common.
 
Using a witty, informal tone and drawing on his extensive readings in French and Russian literature, Forster discusses his ideas in reference to such figures as Tolstoy, Dostoevsky, and Proust; explains the difference between “flat” and “round” characters and between plot and story; and ultimately provides an “admirable and delightful” education for anyone who appreciates the art of a good book (The New York Times).

More books from RosettaBooks

Cover of the book The Golden Ass by E. M. Forster
Cover of the book Remember by E. M. Forster
Cover of the book The Manchurian Candidate by E. M. Forster
Cover of the book Closing the Ring by E. M. Forster
Cover of the book The Rise and Fall of the Third Reich by E. M. Forster
Cover of the book Ben Bova’s Grand Tour SciFi Series by E. M. Forster
Cover of the book The Constant Companion by E. M. Forster
Cover of the book Dead Aim by E. M. Forster
Cover of the book The Living and the Undead, Episode 2 by E. M. Forster
Cover of the book Backteria by E. M. Forster
Cover of the book Been There, Run That by E. M. Forster
Cover of the book The First Rebellion by E. M. Forster
Cover of the book The Flirt by E. M. Forster
Cover of the book Plain Jane by E. M. Forster
Cover of the book If This Isn't Nice, What Is? by E. M. Forster
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy