Ashes

and other stories

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Minority Studies, Anthropology, Fiction & Literature, Short Stories
Cover of the book Ashes by Naomi Shepherd, Halban
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Author: Naomi Shepherd ISBN: 9781905559602
Publisher: Halban Publication: August 1, 2013
Imprint: Halban Language: English
Author: Naomi Shepherd
ISBN: 9781905559602
Publisher: Halban
Publication: August 1, 2013
Imprint: Halban
Language: English

Naomi Shepherd is a prize-winning historian and biographer; here she turns her hand to fiction, revealing a razor-sharp eye, a finely attuned ear, and a keen sense of cultural dissonance. In each of these thirteen stories we see a different facet of a fast-changing country where the clash of cultures and of expectations creates situations rich in humour, poignancy, disappointment, and tragedy. 'The short stories in Naomi Shepherd's collection Ashes are a delight. In them we encounter themes of adultery, love, jealousy, loss, guilt, encroaching age, et cetera, set in an Israel of many modes, and Israel shaped by its heritage, its history, and, above all, its inhabitants, Jew and Arab, all gathered together not so much in a melting pot as in a stew concocted of intractable, discordant elements. We are presented, in short, with an anatomy of Israeli society, a species of social tragic-comedy.' Alan Isler, author of The Prince of West End Avenue

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Naomi Shepherd is a prize-winning historian and biographer; here she turns her hand to fiction, revealing a razor-sharp eye, a finely attuned ear, and a keen sense of cultural dissonance. In each of these thirteen stories we see a different facet of a fast-changing country where the clash of cultures and of expectations creates situations rich in humour, poignancy, disappointment, and tragedy. 'The short stories in Naomi Shepherd's collection Ashes are a delight. In them we encounter themes of adultery, love, jealousy, loss, guilt, encroaching age, et cetera, set in an Israel of many modes, and Israel shaped by its heritage, its history, and, above all, its inhabitants, Jew and Arab, all gathered together not so much in a melting pot as in a stew concocted of intractable, discordant elements. We are presented, in short, with an anatomy of Israeli society, a species of social tragic-comedy.' Alan Isler, author of The Prince of West End Avenue

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