Animation Under the Swastika

A History of Trickfilm in Nazi Germany, 1933-1945

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Animation Under the Swastika by Rolf Giesen, J.P. Storm, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rolf Giesen, J.P. Storm ISBN: 9780786489695
Publisher: McFarland & Company, Inc., Publishers Publication: August 2, 2012
Imprint: Language: English
Author: Rolf Giesen, J.P. Storm
ISBN: 9780786489695
Publisher: McFarland & Company, Inc., Publishers
Publication: August 2, 2012
Imprint:
Language: English

Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels’ efforts to establish a German cartoon industry to rival Walt Disney’s and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts—advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt’s controversial description of those who perpetrated the Holocaust: the banality of evil.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels’ efforts to establish a German cartoon industry to rival Walt Disney’s and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts—advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt’s controversial description of those who perpetrated the Holocaust: the banality of evil.

More books from McFarland & Company, Inc., Publishers

Cover of the book All News Is Local by Rolf Giesen, J.P. Storm
Cover of the book Immersive Gameplay by Rolf Giesen, J.P. Storm
Cover of the book Doris Day by Rolf Giesen, J.P. Storm
Cover of the book Latin American Unification by Rolf Giesen, J.P. Storm
Cover of the book The Atomic Bomb in Japanese Cinema by Rolf Giesen, J.P. Storm
Cover of the book American Sports in an Age of Consumption by Rolf Giesen, J.P. Storm
Cover of the book Playing for Equality by Rolf Giesen, J.P. Storm
Cover of the book Gay American Novels, 1870-1970 by Rolf Giesen, J.P. Storm
Cover of the book Maigret's World by Rolf Giesen, J.P. Storm
Cover of the book Superheroines and the Epic Journey by Rolf Giesen, J.P. Storm
Cover of the book The First Two Quartos of Hamlet by Rolf Giesen, J.P. Storm
Cover of the book I Was Flesh Gordon by Rolf Giesen, J.P. Storm
Cover of the book Thomas Jefferson's Image of New England by Rolf Giesen, J.P. Storm
Cover of the book Lillian Gish by Rolf Giesen, J.P. Storm
Cover of the book Different Bodies by Rolf Giesen, J.P. Storm
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy