An Eyewitness Account of Gallipoli

Nonfiction, History, Military, World War I
Cover of the book An Eyewitness Account of Gallipoli by , Rosenberg Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781922013040
Publisher: Rosenberg Publishing Publication: December 15, 2009
Imprint: Rosenberg Publishing Language: English
Author:
ISBN: 9781922013040
Publisher: Rosenberg Publishing
Publication: December 15, 2009
Imprint: Rosenberg Publishing
Language: English
Signaller Ellis Silas of the 16th Battalion, Australian Imperial force, was the only artist to paint and sketch actual battle scenes showing Australian soldiers in action at Gallipoli. With his mates he went ashore at Anzac Cove in April 1915 and for the next month he witnessed the terrible carnage at Gallipoli whilst performing his du¬ties as signaller in the thick of the fighting, until he was wounded and had to be taken by hospital ship back to Egypt. The words and sketches of Ellis Silas give us a brilliant and moving eyewitness picture of what it was really like at Gallipoli in 1915. John Laffin has written an introduction and notes for the modern reader. He concludes his introduction: Everything he sketched, he had seen personally. He was the Anzac artist.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Signaller Ellis Silas of the 16th Battalion, Australian Imperial force, was the only artist to paint and sketch actual battle scenes showing Australian soldiers in action at Gallipoli. With his mates he went ashore at Anzac Cove in April 1915 and for the next month he witnessed the terrible carnage at Gallipoli whilst performing his du¬ties as signaller in the thick of the fighting, until he was wounded and had to be taken by hospital ship back to Egypt. The words and sketches of Ellis Silas give us a brilliant and moving eyewitness picture of what it was really like at Gallipoli in 1915. John Laffin has written an introduction and notes for the modern reader. He concludes his introduction: Everything he sketched, he had seen personally. He was the Anzac artist.

More books from Rosenberg Publishing

Cover of the book First Frontier by
Cover of the book Angels in the Outback by
Cover of the book Concise Companion to Aboriginal History by
Cover of the book Crevasse Roulette by
Cover of the book Energy in Changing Climate by
Cover of the book Man of Intelligence by
Cover of the book Australian Migrant Ships by
Cover of the book Blood Revenge by
Cover of the book Hell Hope and Heroes by
Cover of the book Wireless at War by
Cover of the book A Reptile on my Tractor by
Cover of the book Out of Sight, Out of Mind by
Cover of the book Aboriginal People and their Plants by
Cover of the book Tiger Territory by
Cover of the book The Perpetual Refugee by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy