An Alternative Muslim Emancipation. Monica Ali's 'Brick Lane' (2003)

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book An Alternative Muslim Emancipation. Monica Ali's 'Brick Lane' (2003) by Matthias Dickert, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Matthias Dickert ISBN: 9783656874386
Publisher: GRIN Publishing Publication: January 13, 2015
Imprint: GRIN Publishing Language: English
Author: Matthias Dickert
ISBN: 9783656874386
Publisher: GRIN Publishing
Publication: January 13, 2015
Imprint: GRIN Publishing
Language: English

Scientific Essay from the year 2015 in the subject English Language and Literature Studies - Literature, Comenius University in Bratislava (Anglistik/Amerikanistik), language: English, abstract: Monica Ali's novel Brick Lane (2003) marked her literary breakthrough. Ali hereby followed the tradition of Salman Rushdie and Hanif Kureishi who had placed Islam back into the English speaking novel thus showing that the contemporary English novel is (still) heavily influenced by migrant writers coming from the former colonies. These writers share a double vision of England simply because they are insiders and outsiders at the same time. Their characters therefore are very convincing and they introduce Islam to the (Western) reader, a religion which for such a long time has been presented in a stereotyped and thus negative way. Ali -like Rushdie and Kureshi - also uses London as the place of action and thus uses the literary concept of the 'postcolonial city'. Her description of the integration of a Muslim woman into British society also follows the notion of the 'condition of England novel' which confronts outer developments with human value. Ali's main achievement, however, lies in her image of a Muslim woman who picks up the West as a chance. Ali here differs from male Muslim writers who too often confront the reader with the failure of their (male) characters. It is exactly here where Ali's concept of a Muslim woman seems to have been a frontrunner for other Muslim writers to follow. Writers like Leila Abdoulela (Minaret 2005), Tahmima Anam (A Golden Age 2007); The Good Muslim 2011), Fadia Faquir (My Name is Salma 2007) followed Ali in their presentation oft he female thus showing a different kind of female Muslim identity.

Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universität/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenwärtigen englischen Roman. Zahlreiche Veröffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift für Interdisziplinäre ökonomische Forschung, GRIN Verlag); Vorträge an europäischen Hochschulen. Doktorarbeit über das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Scientific Essay from the year 2015 in the subject English Language and Literature Studies - Literature, Comenius University in Bratislava (Anglistik/Amerikanistik), language: English, abstract: Monica Ali's novel Brick Lane (2003) marked her literary breakthrough. Ali hereby followed the tradition of Salman Rushdie and Hanif Kureishi who had placed Islam back into the English speaking novel thus showing that the contemporary English novel is (still) heavily influenced by migrant writers coming from the former colonies. These writers share a double vision of England simply because they are insiders and outsiders at the same time. Their characters therefore are very convincing and they introduce Islam to the (Western) reader, a religion which for such a long time has been presented in a stereotyped and thus negative way. Ali -like Rushdie and Kureshi - also uses London as the place of action and thus uses the literary concept of the 'postcolonial city'. Her description of the integration of a Muslim woman into British society also follows the notion of the 'condition of England novel' which confronts outer developments with human value. Ali's main achievement, however, lies in her image of a Muslim woman who picks up the West as a chance. Ali here differs from male Muslim writers who too often confront the reader with the failure of their (male) characters. It is exactly here where Ali's concept of a Muslim woman seems to have been a frontrunner for other Muslim writers to follow. Writers like Leila Abdoulela (Minaret 2005), Tahmima Anam (A Golden Age 2007); The Good Muslim 2011), Fadia Faquir (My Name is Salma 2007) followed Ali in their presentation oft he female thus showing a different kind of female Muslim identity.

Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universität/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenwärtigen englischen Roman. Zahlreiche Veröffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift für Interdisziplinäre ökonomische Forschung, GRIN Verlag); Vorträge an europäischen Hochschulen. Doktorarbeit über das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.

More books from GRIN Publishing

Cover of the book International Human Rights Law and Indigenous Peoples by Matthias Dickert
Cover of the book Women of Pleasure: Prostitution in Eighteenth-Century London by Matthias Dickert
Cover of the book Archaic republican values and Confucianism by Matthias Dickert
Cover of the book With reference to the sources and relevant secondary literature examine the reasons for the success of the First Crusade. by Matthias Dickert
Cover of the book Case Study 'Risk and Decision Making' by Matthias Dickert
Cover of the book Crime against tourists by Matthias Dickert
Cover of the book Migrating from Oil- to Electricity-Powered Vehicles: Modeling Germany's Transition to the EV until 2040 in System Dynamics by Matthias Dickert
Cover of the book Collocation, selection restriction and the teaching of the English verb grammar by Matthias Dickert
Cover of the book Music-City. Sports-City. Leisure-City. by Matthias Dickert
Cover of the book Transcendentalism by Ralph W. Emerson by Matthias Dickert
Cover of the book TPACK for Pre-service Science and Mathematics Teachers by Matthias Dickert
Cover of the book A structural clash of perspectives. Irreconcilable contradictions in Tom Stoppard's drama 'Rosencrantz and Guildenstern are Dead' by Matthias Dickert
Cover of the book English Romantic Poets and their Reading Audiences by Matthias Dickert
Cover of the book Creative Word-Formation Processes by Matthias Dickert
Cover of the book Traditional use of plant resources by bankariya ethnic group in Makawanpur district, central Nepal by Matthias Dickert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy