Alan Moore, Out from the Underground

Cartooning, Performance, and Dissent

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book Alan Moore, Out from the Underground by Maggie Gray, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maggie Gray ISBN: 9783319665085
Publisher: Springer International Publishing Publication: November 1, 2017
Imprint: Palgrave Macmillan Language: English
Author: Maggie Gray
ISBN: 9783319665085
Publisher: Springer International Publishing
Publication: November 1, 2017
Imprint: Palgrave Macmillan
Language: English

This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.

More books from Springer International Publishing

Cover of the book Food Parcels in International Migration by Maggie Gray
Cover of the book Formal System Verification by Maggie Gray
Cover of the book Neoliberal Ebola by Maggie Gray
Cover of the book The Development of Immunologic Competence by Maggie Gray
Cover of the book PARP Inhibitors for Cancer Therapy by Maggie Gray
Cover of the book Air Pollution Modeling and its Application XXV by Maggie Gray
Cover of the book A Second Course in Topos Quantum Theory by Maggie Gray
Cover of the book Chinese-British Intermarriage by Maggie Gray
Cover of the book A Semidiscrete Version of the Citti-Petitot-Sarti Model as a Plausible Model for Anthropomorphic Image Reconstruction and Pattern Recognition by Maggie Gray
Cover of the book Nanobiotechnology in Bioformulations by Maggie Gray
Cover of the book Globalization and Change in Higher Education by Maggie Gray
Cover of the book Advanced Treatment Technologies for Urban Wastewater Reuse by Maggie Gray
Cover of the book Pediatric Demyelinating Diseases of the Central Nervous System and Their Mimics by Maggie Gray
Cover of the book Improving Patient Treatment with Attachment Theory by Maggie Gray
Cover of the book Digital Health by Maggie Gray
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy