Aisthesis

Scenes from the Aesthetic Regime of Art

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Art & Architecture, General Art, Criticism, Art History
Cover of the book Aisthesis by Jacques Ranciere, Verso Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jacques Ranciere ISBN: 9781781683095
Publisher: Verso Books Publication: June 4, 2013
Imprint: Verso Language: English
Author: Jacques Ranciere
ISBN: 9781781683095
Publisher: Verso Books
Publication: June 4, 2013
Imprint: Verso
Language: English

Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.

More books from Verso Books

Cover of the book The Critical Legal Studies Movement by Jacques Ranciere
Cover of the book One Man’s Terrorist by Jacques Ranciere
Cover of the book In Praise of Disobedience by Jacques Ranciere
Cover of the book Violent Borders by Jacques Ranciere
Cover of the book Ruling The Void by Jacques Ranciere
Cover of the book Allegory and Ideology by Jacques Ranciere
Cover of the book The Conspiracy by Jacques Ranciere
Cover of the book Tackling Rugby by Jacques Ranciere
Cover of the book On Populist Reason by Jacques Ranciere
Cover of the book Comradely Greetings by Jacques Ranciere
Cover of the book Direct Action by Jacques Ranciere
Cover of the book The Parthenon Marbles by Jacques Ranciere
Cover of the book Frames of War by Jacques Ranciere
Cover of the book The Communist Manifesto / The April Theses by Jacques Ranciere
Cover of the book La Lucha by Jacques Ranciere
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy