After the Fact

The Holocaust in Twenty-First Century Documentary Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, History, Jewish, Holocaust
Cover of the book After the Fact by Dr Brad Prager, Bloomsbury Publishing
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Author: Dr Brad Prager ISBN: 9781623569259
Publisher: Bloomsbury Publishing Publication: January 29, 2015
Imprint: Bloomsbury Academic Language: English
Author: Dr Brad Prager
ISBN: 9781623569259
Publisher: Bloomsbury Publishing
Publication: January 29, 2015
Imprint: Bloomsbury Academic
Language: English

After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere.

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