The book comprises five chapters, which draw on contemporary theoretical paradigms from diaspora studies, cultural studies, feminism, gender studies and post-colonialism. The aim is to provide a critical text that can be utilized in acacemic programmes designed for the critical production by Afro-Mexican writers and oral performers.
The book comprises five chapters, which draw on contemporary theoretical paradigms from diaspora studies, cultural studies, feminism, gender studies and post-colonialism. The aim is to provide a critical text that can be utilized in acacemic programmes designed for the critical production by Afro-Mexican writers and oral performers.