African Spirituality in Black Women’s Fiction

Threaded Visions of Memory, Community, Nature and Being

Fiction & Literature, Literary Theory & Criticism, African, Black
Cover of the book African Spirituality in Black Women’s Fiction by Elizabeth J. West, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elizabeth J. West ISBN: 9780739168868
Publisher: Lexington Books Publication: December 16, 2011
Imprint: Lexington Books Language: English
Author: Elizabeth J. West
ISBN: 9780739168868
Publisher: Lexington Books
Publication: December 16, 2011
Imprint: Lexington Books
Language: English

African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality**in Black Women’s Fiction traces applications and transformations of African spirituality in black women’s writings that culminate in the conscious and deliberate celebration of Africanity in Hurston’s Their Eyes Were Watching God. The journey from Wheatley’s veiled remembrances to Hurston’s explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston’s icon of black female autonomy and self realization is woven from the threadwork of African spiritual principles that date back to early black women’s writings.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality**in Black Women’s Fiction traces applications and transformations of African spirituality in black women’s writings that culminate in the conscious and deliberate celebration of Africanity in Hurston’s Their Eyes Were Watching God. The journey from Wheatley’s veiled remembrances to Hurston’s explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston’s icon of black female autonomy and self realization is woven from the threadwork of African spiritual principles that date back to early black women’s writings.

More books from Lexington Books

Cover of the book Deep Down Things by Elizabeth J. West
Cover of the book A Nation Can Rise No Higher Than Its Women by Elizabeth J. West
Cover of the book Exploring Christian Song by Elizabeth J. West
Cover of the book Under Wraps by Elizabeth J. West
Cover of the book Reproductive Justice and Women’s Voices by Elizabeth J. West
Cover of the book Postphenomenology and Media by Elizabeth J. West
Cover of the book The Struggle for Soviet Jewry in American Politics by Elizabeth J. West
Cover of the book Corruption in Africa by Elizabeth J. West
Cover of the book The Genevan Reformation and the American Founding by Elizabeth J. West
Cover of the book The Unseen Politics of Public Housing by Elizabeth J. West
Cover of the book George Santayana's Philosophy of Religion by Elizabeth J. West
Cover of the book Landscape in American Guides and View Books by Elizabeth J. West
Cover of the book The Ocean Hill-Brownsville Conflict by Elizabeth J. West
Cover of the book Sociocultural Theory and Language Learning as Performance by Elizabeth J. West
Cover of the book The Neapolitan Canzone in the Early Nineteenth Century as Cultivated in the Passatempi musicali of Guillaume Cottrau by Elizabeth J. West
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy