African Music, Power, and Being in Colonial Zimbabwe

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, History & Criticism, Reference
Cover of the book African Music, Power, and Being in Colonial Zimbabwe by Mhoze Chikowero, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mhoze Chikowero ISBN: 9780253018090
Publisher: Indiana University Press Publication: November 24, 2015
Imprint: Indiana University Press Language: English
Author: Mhoze Chikowero
ISBN: 9780253018090
Publisher: Indiana University Press
Publication: November 24, 2015
Imprint: Indiana University Press
Language: English

In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

More books from Indiana University Press

Cover of the book Menahem Pressler by Mhoze Chikowero
Cover of the book Walden x 40 by Mhoze Chikowero
Cover of the book Living in the Ottoman Realm by Mhoze Chikowero
Cover of the book History of Music in Russia from Antiquity to 1800, Vol. 1 by Mhoze Chikowero
Cover of the book The Katangese Gendarmes and War in Central Africa by Mhoze Chikowero
Cover of the book Deep Maps and Spatial Narratives by Mhoze Chikowero
Cover of the book Harps and Harpists, Revised Edition by Mhoze Chikowero
Cover of the book Gettysburg Heroes by Mhoze Chikowero
Cover of the book Praying with the Senses by Mhoze Chikowero
Cover of the book Elemental Discourses by Mhoze Chikowero
Cover of the book Aesthetics as Phenomenology by Mhoze Chikowero
Cover of the book Dancing Class by Mhoze Chikowero
Cover of the book On the Mediterranean and the Nile by Mhoze Chikowero
Cover of the book Entrepreneurship in Africa by Mhoze Chikowero
Cover of the book Heidegger's Phenomenology of Religion by Mhoze Chikowero
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy