A Kiss for the Leper

Nonfiction, Religion & Spirituality, Christianity, Denominations, Catholic, Catholicism, Fiction & Literature, Psychological, Classics
Cover of the book A Kiss for the Leper by François Mauriac, Cluny Media
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: François Mauriac ISBN: 9781949899856
Publisher: Cluny Media Publication: February 4, 2019
Imprint: Cluny Media Language: English
Author: François Mauriac
ISBN: 9781949899856
Publisher: Cluny Media
Publication: February 4, 2019
Imprint: Cluny Media
Language: English

A Kiss for the Leper firmly established future Nobel Prize-winner François Mauriac as one of the twentieth century’s preeminent novelists. Jean Péloueyre, heir to an extensive estate in southern France, is a maladroit, misshapen, misbegotten young man. The very antithesis of a hero, Jean is very much in need of saving. And yet, as Anthony Esolen writes in his accompanying essay, “The redeemers and the redeemed are not whom we expect.” Against Nietzschean notions of power and sentimental dilutions of Christianity, Mauriac casts Jean and his young bride as cooperators in redemption, leprous, unenlightened souls whose Redeemer bore the punishment that makes them—and us—whole. Like in the novels which would develop his renown, Vipers’ Tangle and A Woman of the Pharisees, Mauriac crafts a story that is visceral, violent, and saturated with the mystery of mercy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A Kiss for the Leper firmly established future Nobel Prize-winner François Mauriac as one of the twentieth century’s preeminent novelists. Jean Péloueyre, heir to an extensive estate in southern France, is a maladroit, misshapen, misbegotten young man. The very antithesis of a hero, Jean is very much in need of saving. And yet, as Anthony Esolen writes in his accompanying essay, “The redeemers and the redeemed are not whom we expect.” Against Nietzschean notions of power and sentimental dilutions of Christianity, Mauriac casts Jean and his young bride as cooperators in redemption, leprous, unenlightened souls whose Redeemer bore the punishment that makes them—and us—whole. Like in the novels which would develop his renown, Vipers’ Tangle and A Woman of the Pharisees, Mauriac crafts a story that is visceral, violent, and saturated with the mystery of mercy.

More books from Classics

Cover of the book Olive Leaves by François Mauriac
Cover of the book A Tragédia da Rua das Flores by François Mauriac
Cover of the book Love Letters of Nathaniel Hawthorne (Complete) by François Mauriac
Cover of the book Contre ceux qui ont le goût difficile by François Mauriac
Cover of the book Doctor Dolittle The Complete Collection, Vol. 1 by François Mauriac
Cover of the book Pride and Prejudice, The Original Classic Novel by François Mauriac
Cover of the book Les Affinités électives by François Mauriac
Cover of the book El Fantasma de Canterville by François Mauriac
Cover of the book Before the Law by François Mauriac
Cover of the book The dreadnought boys in home waters by François Mauriac
Cover of the book O Defunto by François Mauriac
Cover of the book Poo-Poo and the Dragons by François Mauriac
Cover of the book The Woman in White by François Mauriac
Cover of the book In The Year 2889 (Mobi Classics) by François Mauriac
Cover of the book Twenty Thousand Leagues under the Sea by François Mauriac
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy