A Croce Reader

Aesthetics, Philosophy, History, and Literary Criticism

Fiction & Literature, Literary Theory & Criticism, European, Italian, Nonfiction, Social & Cultural Studies, Political Science, International, Religion & Spirituality, Philosophy
Cover of the book A Croce Reader by , University of Toronto Press, Scholarly Publishing Division
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Author: ISBN: 9781442694361
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: May 8, 2017
Imprint: Language: English
Author:
ISBN: 9781442694361
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: May 8, 2017
Imprint:
Language: English

Benedetto Crocewas a historian, humanist, political figure, and the foremost Italian philosopher of the early twentieth-century.

A Croce Reader brings together the author’s most important works across the fields of aesthetics, philosophy, history, literary criticism, and the Baroque and presents the “other” Croce that has been erased by scholarly tradition, including by Croce himself. Massimo Verdicchio traces the progress of Croce as a thinker, focusing on his philosophy of absolute historicism and its aesthetic implications. Unlike other anthologies, A Croce Reader includes essays from the Aesthetics of 1902 and key studies on Vico, Hegel, and Pirandello. Verdicchio’s masterful translation of the source material welcomes specialists and non-specialists alike to discover the “other” Croce for themselves.

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Benedetto Crocewas a historian, humanist, political figure, and the foremost Italian philosopher of the early twentieth-century.

A Croce Reader brings together the author’s most important works across the fields of aesthetics, philosophy, history, literary criticism, and the Baroque and presents the “other” Croce that has been erased by scholarly tradition, including by Croce himself. Massimo Verdicchio traces the progress of Croce as a thinker, focusing on his philosophy of absolute historicism and its aesthetic implications. Unlike other anthologies, A Croce Reader includes essays from the Aesthetics of 1902 and key studies on Vico, Hegel, and Pirandello. Verdicchio’s masterful translation of the source material welcomes specialists and non-specialists alike to discover the “other” Croce for themselves.

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