3 Summers

Fiction & Literature, Poetry
Cover of the book 3 Summers by Lisa Robertson, Coach House Books
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Author: Lisa Robertson ISBN: 9781770564800
Publisher: Coach House Books Publication: October 11, 2016
Imprint: Coach House Books Language: English
Author: Lisa Robertson
ISBN: 9781770564800
Publisher: Coach House Books
Publication: October 11, 2016
Imprint: Coach House Books
Language: English

Inspired by Flaubert’s Three Tales and Stein’s Three Lives, a grappling with time, form and embodiment.

Recite your poem to your aunt.
I threw myself to the ground.
Where were you in the night?
In a school among the pines.
What was the meaning of the dream?

Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The ten poem-sequences in 3 Summers inflect a history of textual voices – Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras – in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time – embodied here in Lisa Robertson’s forceful cadences – can tell.

‘Robertson proves hard to explain but easy to enjoy ... Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt ... She wields language expertly, even beautifully.'

The New York Times

‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.'

The Village Voice

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Inspired by Flaubert’s Three Tales and Stein’s Three Lives, a grappling with time, form and embodiment.

Recite your poem to your aunt.
I threw myself to the ground.
Where were you in the night?
In a school among the pines.
What was the meaning of the dream?

Organs, hormones, toxins, lesions: what is a body? In 3 Summers, Lisa Robertson takes up her earlier concerns with form and literary precedent, and turns toward the timeliness of embodiment. What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The ten poem-sequences in 3 Summers inflect a history of textual voices – Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras – in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time – embodied here in Lisa Robertson’s forceful cadences – can tell.

‘Robertson proves hard to explain but easy to enjoy ... Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt ... She wields language expertly, even beautifully.'

The New York Times

‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.'

The Village Voice

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